1 quire = 25 sheets
1 ream = 500 sheets (480 sheets for acid free tissue)
1 millpack = The size of the pack as shipped from the mill (usually 100
sheets, but will vary according to the paper).
Paper
|
Size (millimetres)
|
4A0
|
2378 x 1682
|
2A0
|
1682 x 1189
|
A0
|
1189 x 841
|
A1
|
841 x 594
|
A2
|
594 x 420
|
A3
|
420 x 297
|
A4
|
297 x 210
|
A5
|
210 x 148
|
A6
|
148 x 105
|
A7
|
105 x 74
|
A8
|
74 x 52
|
A9
|
52 x 37
|
A10
|
37 x 26
|
|
|
Antiquarian
|
1350 x 730
|
Atlas
|
864 x 660
|
Cartridge
|
661 x 534
|
Colombier
|
876 x 597
|
Crown
|
510 x 380
|
Demy
|
570 x 440
|
Double Crown
|
760 x 510
|
Double Demy
|
900 x 570
|
Double Elephant
|
1020 x 690
|
Double Foolscap
|
680 x 430
|
Double Medium
|
920 x 580
|
Eagle
|
1067 x 730
|
Emperor
|
1829 x 1219
|
Extra Large Atlas
|
889 x 689
|
Foolscap
|
430 x 340
|
Hand
|
559 x 406
|
Imperial
|
760 x 560
|
Large Post
|
530 x 420
|
Large Post Double
|
840 x 530
|
Medium
|
580 x 480
|
Pott
|
394 x 317
|
Quad Crown
|
1020 x 760
|
Quad Foolscap
|
680 x 680
|
Quad Medium
|
1160 x 920
|
Royal
|
675 x 510
|
Royal Hand
|
635 x 508
|
Super Royal
|
710 x 510
|
Metric (GSM)
|
Imperial (LB's)
|
150- 160
|
72
|
180 - 200
|
90
|
240 - 250
|
120
|
285 - 300
|
140
|
410 - 425
|
200
|
Rough
|
Natural surface of paper when dry.
|
Not (or cold pressed)
|
Between Hot Pressed and Rough (pressed between cold
rollers)
|
Hot Pressed (HP)
|
Smooth finish sometimes pressed between hot rollers.
|
"A" series
|
ISO range of paper sizes reducing from A0 (841 x 1189mm)
by folding in half to preserve the same proportions at each reduction.
|
acid free
|
Free from any acid content of other substances likely to
have a detrimental effect on the paper or its longevity.
|
antique
|
A general term applied to a surface which imitates the
laid character of an old sheet. Today the term is often used to denote a
rough finish.
|
archival paper
|
A term loosely used to indicate paper with long lasting
qualities, is acid free, lignin free, usually with good colour retention.
|
B series
|
ISO range of paper sizes, falling between the A and C
series, designed for items such as wall charts and posters.
|
bast fibre
|
The inner bark of such plants as flax, hemp, gampi,
mitsumata and kozo, separated from the outer bark and suitable for
papermaking.
|
beater
|
A machine which alters or modifies the properties of
fibres.
|
beating
|
Hand or mechanical maceration of fibres to modify their
characteristics and prepare them to become pulp.
|
board
|
A general term for thick, stiff paper over a certain
weight; on average 250-300 gsm.
|
bonding strength
|
The ability of fibres on the surface of a paper to
adhere to one another and to others below the surface.
|
brightness
|
Paper's ability to reflect white light. Brightness
values are a measure of the reflectivity of paper to light under controlled
conditions, on a scale of 0 - 100; most white papers have brightness values
of 75-90.
|
brittleness
|
The tendency of paper to crack or break when bent or
embossed.
|
BSI
|
British Standards Institution. Standards
co-ordinating body (cf. ANSI).
|
buffering agent (also called 'alkaline reserve')
|
An alkaline substance, usually calcium carbonate or
magnesium carbonate, occurring naturally in a water supply or purposely
added by the papermaker to help counteract acidity in paper.
|
bulk
|
The volume or thickness of a paper in relation to its
weight.
|
C series
|
ISO range of sizes for envelopes.
|
calcium carbonate (Chalk)
|
A pigment, which can be used as a filler, a white
coating substance and a buffering agent.
|
calendering
|
The process of pressing paper through rollers (usually
of hardened, polished metal) to increase its surface smoothness.
|
caliper
|
The thickness of a single sheet of paper measured with a
micrometer in 1/1000 in., millimetres or microns.
|
cellulose
|
The basic substance of papermaking: the main part of the
cell wall of the plant. Cellulose fibres are not pure enough (except for
cotton) to be used directly for papermaking.
|
chain lines, chain wires
|
Heavier, more widely spaced lines (or wires) which run
at right angles to lines on the surface of a laid mould.
|
chemical pulp
|
Wood reduced to pulp by a variety of chemical processes
all of which involve the cooking of the fibrous raw material with chemicals
in order to extract the cellulose fibre.
|
china clay
|
A filler or loading agent.
|
coated paper
|
Paper coated with china clay or other filler to give a
smooth surface making it suitable for the printing of fine detail.
|
cockling
|
Wavy edges (or wrinkling or buckling) caused by unequal
expansion due to paper being damper or drier than the atmosphere.
|
cold pressed (CP)
|
Same as NOT.
|
contraries
|
Unwanted pieces of material which have become embedded
in a sheet, e.g. dust, hairs, string, buttons, etc.
|
cotton
|
The purest form of cellulose produced in nature,
requiring the least amount of processing before it can be used for
papermaking.
|
cross direction
|
Paper cut at right angles to the direction of the paper
machine. Paper is weaker and expands more across the cross direction than
along the machine direction.
|
curing
|
The maturing of paper for an amount of time, before
packing and selling.
|
curling tendency
|
A curl caused by unequal shrinkage which develops either
when the moisture content of the paper is changed by atmospheric conditions
or when the paper comes into contact with moisture.
|
deckle
|
The removable wooden frame that fits over the mould to
contain the pulp.
|
deckle edge
|
The wavy, feathered or ragged edge on the sides of a
sheet of handmade paper caused where the pulp seeps under the deckle frame
during formation.
|
deflocculant
|
A substance which disperses fibres and prevents them
from entangling in the pulp.
|
endpaper
|
Strong paper used for securing the body of a book to its
case.
|
felt
|
A rectangular sheet of absorbent woven material, usually
of wool, cut larger than the paper, onto which newly formed sheets are
couched.
|
felt finish
|
A finish to the top surface of paper created by the texture
of the felt; often with a special weave.
|
felt mark
|
A mark in the paper caused by the impression of a defect
in the felt, such as a worn patch.
|
felt side
|
The top surface of the pulp, as distinct from the wire
side.
|
Fourdrinier
|
The standard type of machine on which paper is made at
high speed in a continuous web. Sheets produced in this way are called
'machinemade'.
|
gelatine
|
A type of sizing obtained form animal tissues, which is
applied to the surface of paper to make it impervious to water and to aid
resistance to bleeding during printing. Can affect colour.
|
grain, grain direction
|
The alignment of fibres in a sheet of paper caused by
the flow of the web of wet paper in a cylinder-mould or Fourdrinier
machine.
|
gsm or g/m2
|
The weight of paper and board when expressed in metric
terms as grammes per square metre.
|
Hot Pressed (H.P.)
|
One of the three traditional surface finishes of
handmade paper. Today this term denotes the smoothest surface, achieved by
passing sheets between heavy metal rollers (occasionally heated).
|
hygroscopic
|
Said of the nature of a material which tends to make up
the moisture content of the atmosphere.
|
Imperial
|
1. A large sized sheet, 762mm x 559mm.
2. The traditional system of weights and measures set up in Britain in
1836, in which the basis weight of a sheet of paper is expressed in pounds
(lbs.).
|
India paper
|
Very thin, high-quality opaque rag paper often used for
printing Bibles.
|
ISO sizes
|
Range of paper and envelope sizes established by the
International Standards Organisation, including notably the A, B and C
series.
|
linting
|
The process by which clumps of fibres are released from
the paper surface during printing due to the tackiness of the ink,
especially in lithography.
|
moisture content
|
Amount of moisture in paper, expressed as a percentage
of weight.
|
mordant
|
A substance used to fix a dye to a fibre.
|
NOT, not
|
Short for 'Not Hot Pressed'. One of the three
traditional surface finishes of handmade paper (between Rough and Hot
Pressed), produced by passing between felts. Called Cold Pressed (C.P.) in
the U.S.
|
paper mulberry (mulberry tree)
|
This is a broad term for a number of trees from whose
inner bark paper is made; Broussonetia papyrifera is probably the most
widely used; in Thailand it is called saa, in Japan kozo.
|
pH
|
The pH value describes the acidity or alkalinity of a
paper; it is a measure of the availability of free hydrogen ions. 0pH is
very acid; 14pH is very alkaline; 7pH is neutral.
|
quire
|
A twentieth part of a ream; today a quantity of 25
sheets of paper.
|
rag
|
Indicates that a paper has been produced from cotton
linters. The term 'rag content' describes the amount of cotton fibres
relative to the total amount of material used in the pulp.
|
rattle
|
The sound produced by shaking a piece of paper,
indicating the hardness of the sheet.
|
ream
|
An old word for a quantity of paper. Today taken to
refer to 500 sheets of good paper.
|
relative humidity (RH)
|
The amount of water vapour present in the atmosphere
expressed as a percentage of saturation, measured with a hygrometer.
|
rosin
|
A commonly used internal sizing agent; occasionally also
used for surface sizing. It is acidic in nature, and is detrimental to the
permanence of paper.
|
Rough
|
One of the three traditional surface finishes of
handmade paper; a rough surface is properly obtained by loft drying in
natural air.
|
shives
|
Specks of impurities in the raw fibre discernable in the
finished sheet.
|
sizing
|
A solution, or process of applying such a solution,
intended to make paper moisture-resistant to varying degrees. Size can be
added at two stages of the paper-making process.
1. In internal sizing (also called beater- or engine-sizing), size is added
to the beater.
2. In surface sizing (also called external- or tub-sizing), dried papers
are passed through a solution of gelatine (or glue, casein or starch)
traditionally contained in a bath or a tub; surface size can also be
applied by brushing or rubbing.
|
smalt
|
Deep blue pieces of glass pulverized and used as a
colouring agent.
|
smoothness
|
Essentially the surface flatness of a paper. It is not
the same as 'gloss' (which is an optical property) and is not related to
porosity.
|
spur
|
A group of sheets dried naturally together.
|
substance
|
The weight or grammage of a sheet of paper expressed in
gsm or lbs per ream.
|
surface finish
|
The surface character of a sheet of paper, described in
terms of its texture, e.g. Rough, NOT, H.P., burnished , hammered.
|
texture
|
The surface detail or finish of a paper, which can be a
natural result of the quality of the pulp, processing or drying, or a
contrived impression.
|
tooth
|
Describes a surface texture that grips a drawing
pigment.
|
traditional
|
A term used to refer to accepted, established and valued
techniques customary to papermaking processes of the past.
|
vellum
|
1. The prepared inner side of calfskin or kid skin.
2. A paper surface which imitates true vellum, notably any matt wove type;
often used to describe mouldmade and Japanese papers.
|
waterleaf
|
Used to describe a paper that contains no sizing and is
therefore generally very absorbent.
|
watermark
|
A translucent design in a sheet of paper that can be
viewed as a paler area when held up to the light. Typically watermarks are
linear, formed in wire.
|
web
|
A continuous length of paper (I.e. a roll or reel) as
distinct from a sheet.
|
wet strength
|
The strength of a finished sheet of paper when it is
saturated with water.
|
wire side
|
The underside of paper in contact with the mesh during
making, as distinct from the felt side.
|
|
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